The film
Space 01
The Loggia
The studio's first space: a loggia of pale arches onto a garden, with the salon and the hall behind it.
- The light
- Soft daylight through the arches, open shade at the front.
- Good for
- Festive and embroidered pieces, ivory and gold, the campaign film.
- The paint
Space 02
The Limewash
A colour-filled room: dusty-pink limewash, pistachio woodwork, a checkerboard floor, a mustard armchair and a lemon tree.
- The light
- Bright late-morning daylight through a tall sash window, soft and warm.
- Good for
- Saturated colour, lawn and summer co-ords, playful menswear, anything that wants to feel young.
- The paint
Space 03
The Enfilade
Two tall, quiet rooms joined by open double doors: putty-grey panelling, herringbone oak, sheer linen at the windows.
- The light
- Soft north daylight through sheer linen; the second room a touch darker.
- Good for
- Tailoring, crisp shirting, print co-ords, quiet luxury: pieces that want a calm room and depth behind them.
- The paint
Space 04
The Lido
An open-air pool in morning sun: pale-aqua tile, a terrazzo deck, red cabin doors under a striped awning.
- The light
- Fresh, hard morning sun from the front-left; the water calm and clear.
- Good for
- Denim, summer separates, stripes and bright cotton: anything that wants sun and movement.
- The paint
Space 05
The Pavilion
A long, low modernist living room: a glass wall onto a garden, travertine underfoot, walnut panelling, oat boucle.
- The light
- Soft overcast daylight from the glass wall, falling off gently towards the walnut.
- Good for
- Winter wool, knits, coats and suede: pieces with weight and texture, and menswear with a point of view.
- The paint
Space 06
The Atelier
A long couture cutting room: bone plaster, timber beams, a skylight, bolts of cloth on oak shelves, a dress form.
- The light
- Soft, even overcast daylight from the skylight and the tall windows; almost no shadow.
- Good for
- Workwear, raw denim, utility and tailoring: pieces whose making is the story.
- The paint
Space 07
The Court
A hard court in afternoon sun: cobalt acrylic, court green, chalk-white lines, an umpire's chair, three palms.
- The light
- Hard, bright early-afternoon sun from behind the camera; short, crisp shadows.
- Good for
- Knits, polos, sportswear and white: graphic colour against cobalt and green.
- The paint
A free first look
Send one piece. See it worn.
We make three frames from one of your pieces, free, before anything is agreed: a catalogue front on one of our models, the same piece in one of our spaces, and a close-up checked against your photo. If you like them, we talk about the drop.
